'The Man from U.N.C.L.E.' review: From 60's style to good looking spies, the film is a visual treat
'The Man from U.N.C.L.E.' review: From 60's style to good looking spies, the film is a visual treat
The movie is a visual treat with good entertainment and Ritchie's signature style of cinema is evident in almost all frames.

Cast: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki and Hugh Grant

Director: Guy Ritchie

After back to back CGI Hollywood movies with low storyline, Guy Ritchie's 'The Man from U.N.C.L.E.' is refreshing change. The film has all the elements of an eye-catching spy fiction. A political scenario, some real life references, good looking cast and uber stylish atmosphere, Ritchi certainly knows how to grip his audience's attention till the last frame. However, if you are expecting an edge of the seat thriller, this movie might leave you disappointed on that front.

The film starts with some historical facts rushing through screen and political scenario being explained after World War II with the cold war between United States of America and Russia. Then enters our good looking, extremely stylish and highly efficient thief turned American agent Nepoleon Solo (Henry Cavill). Within few minutes we meet our second 'macho' KGB agent Ilya Kuryakin (Armie Hammer), trying to sabotage Solo's mission to escape with Gaby (Alicia Vikander), daughter of Hitler's rocket scientist and the woman of interest to both CIA and KGB. Then circumstances (read agencies) force them to work together for a mission to find and diffuse a nuclear weaponry in Rome. Here begins the ride of the three hot, stylish agents who are fearless and sharp.

There are particular instances in the film that'll make you laugh, some will make you smirk at its clever lines. The equation between Ilya and Gaby, the and the chemistry between Solo and Ilya is worth watching. The scene where Ilya and Solo have an argument over Gaby's 'to-be' fashion sense is hilarious and full of brands! The way Solo and Ilya keep on terming things as 'Russian made' and 'American made' doesn't let the main plot of cold war die. Another interesting twist is the appearance Hugh Grant as the man from U.N.C.L.E. One thing that is noteworthy about the film is the camera style used in the film. The cinematography is brilliant and the way Ritchie has used various frames together to keep the film from dragging is definitely smart.

Based on the American television show of the same name, the entire film is set in cool sixties, with retro fashion, Gaby's shades, amazing chase scenes, crime tycoons, agents and mission, impressive break ins and good humour. The plus point is the music of the film that keeps the pace up and the mood peppy. There is Rome, evil tycoons, Berlin and Checkpoint Charlie.

'The Man from U.N.C.L.E.' has a charm of its own. The cast is terribly good looking. From Henry Cavill as Solo to Armie Hammer as Illya and Alicia Vikander as Gaby, they all look good and talk even better. Don’t go for it if expecting a politically inclined thriller, dealing with what USA and USSR actually faced after WWII. Watch the film if you are one of those who love the retro time, with suited men and bright, block printed dresses.

The movie is a visual treat with good entertainment and Ritchie's signature style of cinema is evident in almost all frames. Also feast your eyes on Henry Cavill in grey shade looking like a suave gentlemen because this good looking actor will only be seen next in his red cape, opposite Batman.

Being a spy film, the director keeps the narrative crisp and tight making the almost two hour long film an easy ride.

'The Man from U.N.C.L.E.' is a crisp, stylish, much deserved watch for all spy movie fans.

Ratings: 3/5

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